Through my large scale oil paintings, I wish to reconcile my nostalgia for the industrial era with the unforeseen challenges
In my current series of works on paper, ‘an emptiness’, I draw structural inspiration from an 18th century house on Cape Cod. This house exists on the receiving end of a time warp through the original floors, walls and windows, enveloping modern times in a moment of antiquity. Looking through the wavy antique windows one can ponder the eyes of the past and the distorted world they saw beyond.
Why draw or paint? The process helps us learn to understand proportion, form, and scale. More important, when I paint
I have been photographing New York’s bridges since 1993. The precision half of my photographic work is my German side
"Color Rambles" by Abel Macias are small paintings which use colors to refer to personal memories.
My work is landscape as imagined in my studio, suggesting memory and time. The movement of paint from translucent abstraction to textured plant-like shapes wanders into subjects of our relationship with landscape.
2013, Yellow Burst, 20×48 2012, Gossamer, 46×38 2012, Cantata, 58×54 2010, Haffkrug, 54×52 2010, Gorgonian, 46×26 Karin Batten Artist Statement
Jay Miriam and Zev have been collaborating since 2008. Our work explores the relationship between new class identities and life
These collages are comprised of acrylic paint on paper and archival digital photographs that depict the natural environment of the
Tidal Port Orange Tide Deceptive Blue Tide Four Waters Pink Tide into Foggy River Raining Pink Statement All aspects of