Peter Saul, Self, 1987. Oil and acrylic on canvas, 72 x 100 in (182.9 x 254 cm). © Peter Saul.
SPRING/BREAK is in a new space this year occupying the 22nd and 23rd floors of an unused office space floating high
Art on Paper was a real charm of a show – which is good because it is off the beaten
Scope is in a new venue this year – the Metropolitan Pavilion in Chelsea – which you may know as
Sigmar Polke was a wise-guy trickster, creating art with a subversive charm. Constantly exploring, he favored showing the ways and means
Nick Cave’s new work, ‘Heard NY’, brings a performance of charming immediacy and wonder to the cavernous halls of Grand
Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan Review by Diane Saarinen A magnificent head of the Buddha
Adam Lindemann’s new gallery, Venus Over Manhattan, takes its name from the sculpture on the building’s facade at 980 Madison.
John Chamberlain’s twisted metal sculptures line the Guggenheim’s spiraling rotunda like spikes on a cactus. Made from automotive scrap, the
A plywood facsimile of a city street dominates the entrance to this year’s Pulse Art Fair. ‘City Surface’ by Lead